the late steve reid, veteran jazz drummer and percussionist, and kieran hebden (four tet), the british electronic musician/producer young enough to be his grandson, present the fifth and final installment of their momentous synergy. the music on this double cd was recorded in concert on 20 june 2009 in the foyer of the queen elizabeth hall at london s southbank centre, as part of the meltdown festival curated by free jazz legend ornette coleman. for this marathon workout, reid and hebden were joined by swedish power saxophonist mats gustafsson, whose fiery blowing style had inspired kieran to seek out a drummer like steve to work with in the first place. live at the south bank stands as a memorial to a thrilling and productive partnership sadly cut off in its prime.

little pianist is the stunning debut album of japanese duo bocca grande. formed by music producer kousuke ishida aka trio and piano teacher yuka kobayashi, bocca grande music gives an high value to the classic piano mixed with the electronic vibes. their beautiful single procedere, that anticipated the release of the album, shows magically their concept, a magnificent and emotional record, above any trend ! trio started to compose at sixteen years old. his sound reflects the deepness experienced in his life and that we find in the japanese culture and his dj style is influenced by the old school, from the deep side of chicago house to the detroit techno etc. their productions have been already released on labels like mathematics (chicago), four roses (germany), black vinyl (uk), nice and smooth (canada) and futic silver (tokyo). the tunes have been getting huge responses since played out by motor city drum ensemble during his guest slot at tim sweeneys legendary beats in space into the radio show in new york. an incredible album from start to finish. blending the majestic piano work with electronica, house, downbeat, dub and a cinematic vibe in a creative and innovative way, little pianist is one of those records that warrant to be listened to in their entirety... repeatedly!

jeff mills once again indulges his passion for classic sci-fi with this 2cd re-imagining of the score to harry kleiner s titular 66 flick. it follows his -cyborg 2087- recreation and imaginary soundtracks for -the power- and -the occurence- with a deep voyage of discovery. but unlike the aforementioned, the original film plot - about a team of scientists who re miniaturized and dispatched inside a human body to fix a blood clot - thematic scales are inversed and we re drawn to mills inner, as opposed to outer, space-scapes. the action unfolds across 22 tracks and 2 cds, from bleepin, womb-like viscera and hazardous noise bursts through archetypal rhythm arrangements and fluid programming reflecting the man/machine, organic/synthesized themes of the film and his own alien/human aesthetic. it s wonderful to witness mills maturing as a composer and refining his art to something beyond a soundtrack for dancefloor rituals, but without ever losing his original blueprint, and showing that the line between cinematic imagination and dancefloor functions can be a very fine one.

2011 album from the anticon founder and instrumental rap innovator. fever dream is alias s most inspired and dynamic record in years. spurred by the psychedelic sound and off-kilter groove of electronic experimentalists like flying lotus, modeselektor and bibio, he ditches quantized beats, embraces warmth and sets the whole thing wobbling to a warped dance pulse. incorporating generous amounts of chopped, pitch-bent r&b vocals, plus sprinklings of live instrumentation and loads of left turns, fever dream is a stylistic whirlwind of hallucinatory house, homespun big beat, swinging downtempo and melodic break music.

for the past decade or so, polish musician michal jacaszek has been exploring a new, resolutely modern chapter in eastern europes long, storied love affair with classical music. his creations are painstakingly crafted collages of electronic textures and baroque instrumentation, harpsichords being swarmed by woolly static one minute and pulled apart by billowing wind the next. ambient music - if we can generalize unnecessarily for a second - is rarely so sonically challenging.

demissions is the album every in-the-know electronica fan has been anxiously awaiting for the last ten years. phoenecia, the duo who put experimental electronic music on the map in the us with their soul oddity releases, their infamous schematic label, their early releases on warp and their brilliant albums brownout & echelon mall, are back with new album destined to be as ageless & influential as any of their previous contributions. what strikes the listener at first is how seamlessly the songs throughout the album integrate acoustic percussion with electronics, most notably on the twelve-minute epic first track two-part invention for bodhran & computer.

the cocoon label presents the cocoon morphs tokyo cd, previously released exclusively in japan. presenting exclusive work by artists of the highest cocoon-caliber, cocoon morphs tokyo also celebrates the aesthetic partnership between world-renowned german photographer and artist andreas gursky and cocoon-head sven vaeth. gursky has published a cycle of large-sized pictures with -cocoon- as the central theme: the -cocoon- pictures reference current club culture, with gursky using the big techno events cocoon stages as inspiration. the architectural frame of his work refers to the design of the cocoonclub in frankfurt. the spatial concept was developed by v„th, together with the design agency 3deluxe. in gurskys cover art, you can see the idealized approach to the original cocoon club in all its fervent glory. here, excellent electronic music meets the work of the most important contemporary german artist worldwide - again, cocoon explores new frontiers and combines art forms of the 21st century. artists include: gerber & kalbata, tiefschwarz, pig & dan, vaeth vs. rother, schneider & galluzzi, ricardo villalobos, david k, and patrick zigon.

2011 holiday collection. the project started in 2010 when jan illustrated the diversity of more than 50 christmas tunes in the field of jazz, funk and soul to tobias kirmayer of tramp records, germany. although some of the titles had already been compiled, there were exceptional songs that grabbed their attention. major record companies owned a handful of the initially pre-selected songs. despite the fact that these terrific songs never topped the charts the quality of this compilation easily shakes hands with famous christmas records of major artists like james brown or lou rawls. ladies and gentlemen, sing along, shake your hips and dance because: santas funk & soul christmas party is goin on.

2011 release, the follow up to 2010s successful first volume of bangs & works. the carefully curated compilation showcases chicago footwork, one of the most forward-looking, innovative new styles of electronic music on the planet. footwork is beginning to spread outside of chicago, influencing productions around the world. bangs & works vol. 2 brings the focus back onto chicagos own producers, showing where the real innovation still lies. while its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks to those that sound like musique concrete gone footwork.

previously existing as progressive/melodic house entity solarity, dusky are london based musicians alfie granger-howell and nick harriman. as comfortable writing elegant orchestral pieces or stirring piano motifs as they are jackin house and epic techno grooves, their diverse sounds are united by the duos singular aim--to compose electronic music with depth, soul and originality. stick by this is the duos debut album.

biophilia is an interdisciplinary exploration of the universe and its physical forces - particularly those where music, nature, and technology meet - inspired by these relationships between musical structures and natural phenomena, from the atomic to the cosmic. the independent on sunday calls it -brilliantly original and ambitious.

biophilia is an interdisciplinary exploration of the universe and its physical forces - particularly those where music, nature, and technology meet - inspired by these relationships between musical structures and natural phenomena, from the atomic to the cosmic. the independent on sunday calls it -brilliantly original and ambitious.

xhins debut album on stroboscopic artefacts,sword,showcases the breath of his vision. as the second full-length release on stroboscopic artefacts, sword stretches the remit of the label s identity ever further. produced and recorded in singapore, xhin plucks sounds from the outer edges of electronic music and fuses them together. xhins approach revels not only in a hybrid sound palette but its also an album desi- gned for multiple contexts. its a record typified by duality. sword harbours electronic music ranges from brutal club sounds to deep and delicate murmurs.

otdxi is the newest installment in the classic r&s compilation series. previous installments have been responsible for rounding up the labels roster at the time and presenting their finest tracks to a wider audience, and have gone onto become classics in their own rights. with r&s again re-positioned as one of the most forward thinking electronic labels and with an enviable roster of cutting edge young talent it makes perfect sense to relaunch the series. disc one contains highlights from the last 18 months and includes contributions from blawan, lone and untold whose classic r&s influences are worn on their sleeves. tracks from james blake, pariah and the chain take cues from a distinctly uk sound, which the label has been keenly following from its new london base, and in cmyk have the biggest single from 2010.

anders trentemoller has become one of the most respected names in cutting edge electronic music in the last few years. his rise to notoriety was sparked by his early, techy releases for poker flat and audiomatique and has since gone on to stellar highs with his own personal take on the genre, spanning, pop, rock, indie and classical. his debut album >the last resort< was released in 2006 to much international acclaim, and the producer also began to become an in-demand remixer in the house and techno world. as the decade wore on his sound continued to progress, opening up his studio to more live instrumentation, and a looser, rock-meets electronic vibe with his stunning >into the great wide yonder< lp. now this special double cd and double vinyl release celebrates some of the producer s favourite remixes he completed for other artists, and also some of his personal picks where other musicians have reworked his music.

its a love story: stil vor talent have long been mad about niconŽ and sascha braemer so that the recent past has seen some very memorable releases by the two producers. now its about time they join forces to release a whole album together. while sascha braemer only recently caused waves with his Ÿber-track people, nicone is a long-established pillar of top-class electronic music.

the torino scale ... is a way of gauging the potential damage that may occur in the event of an impact from asteroids or other objects from space... excellent 11 track modern electronic album !!

new album by portable. on the fifth longplayer, alan abrahams teams up with efdemin, johannes schšn and >sŸd electronic< labelmate lakuti, to lead us into infinity. during the last 15 years, alan lived & composed in south africa / england / portugal and germany. he released records on background / context / karat / musik krause / scape / spectral / sŸd electronics and yore.

the future of dance music is happening now. the next generation of edm producers is stepping up, with w&w bearing the flag of todays promise. no need to wait much longer. after merely 4 years of warming up, the duo sets things alight with the long-awaited debut album impact. though theres plenty of challenges left on their to-do list, dutch producers willem van hanegem and ward van der harst no longer play the game of rookies.

a few days ago james blake premiered a new track, a collaboration with bon iver called >fall creek boys choir<, and now its been announced that the track will be included in an upcoming ep from blake called enough thunder.
we now also know that the ep is due out october 10 on atlas and will feature blakes cover of joni mitchells >a case of you<, as well as four other new tracks from the electronic singer-songwriter wunderkind.

walls alessio natalizia and sam willis dont deal in perfect wholes. the kompakt duo return swiftly on the back of 2010 s critically lauded self titled debut, an album that picked up mojos coveted electronic album of the year, featured in nmes end-of-year lists, not to mention winning fans such as of jamie xx, caribou, james holden and impressing us trio battles so much that they have invited the pair on tour around the us this coming october. yet it isnt these admittedly impressive accolades that make the announcement of second lp >coracle< such an anticipated one, what makes walls so alluring is the fully immersive experience of their mellifluous electronica Ð reaching out far and wide to pull influences sonic, emotional and theoretical together into patterns of blissful phantasmagoria. taking their debut as the prototype, willis and natalizia have taken those initial early-sunrise evocations and pushed them to even more grandiose expanse

2011 album from the british electronic duo, their first album in seven years. producer/songwriter/frontman richard fearless mixed the album in michigan after recording it in shoreditch, london. trans-love energies, a reference to the 1960s detroit anti-establishment group, features 12 new songs with fearless performing lead vocals on the majority of the tracks. vocalist katie stelmanis from domino band austra guests on three of the tracks.

2011 release, the third album from the british electronic artist (real name: elliot john gleave) who combines beat-driven musical journeys with bits of hip hop, rock, pop, dubstep and house. following on from his breakthrough album, won t go quietly (2010), playing in the shadows offers up exactly what his fans want... and more. a grand time is guaranteed for all.

with the white isle summer coming to an end hed kandis saxophonist and vocalist laura fowles a.k.a the lovely laura and producer extraordinaire tyrrell come together to bring you their debut artist album straight from the sunsets of ibiza, hed kandi: balearica unplugged. they go back to basics, bringing the hed kandi fans a taste of their balearic musical roots. they disconnected the decks, ditched the electronic beats and unplugged the sound system stripping things back creating a medley of deliciously unplugged covers of their favourite dance songs. tyrrell picked up the six string, laid down some sensual acoustic guitar riffs and atmospheric chords, whilst laura added a splash of soft, husky, phenomenal vocals and sexy sax melodies. this all combined with additional production by the legendary steve miller a.ka. afterlife, brings you a wide, laid back collection all reworked with hed kandis own balearic acoustic treatment... always keeping a sunny disposition in mind. this one cd includes their favourite renditions of songs made famous by the likes of groove armada, calvin harris, deadmau5 & kaskade, friendly fires, empire of the sun and martin solvieg to name but a few. this essential eclectic collage of music is destined for ibizas renowned sunset strip for years to come, where legendary balearic hang out hotspots such as cafŽ del mar, savannahs or blue marlin celebrate the setting of the most talked about sunset, and balearica unplugged offers the perfect musical companion.

der erfolgreiche dance & electronic dj und produzent dj antoine, welcher in seiner heimat, der schweiz, sehr bekannt ist und mit ueber 1.1 millionen verkauften tontraegern zu den schwergewichten der dance-szene zaehlt, veroeffentlicht am 12. august 2011 sein neues album. -welcome to dj antoine- lautet der titel des neuen albums von dj antoine und lehnt sich dabei sehr stark an den titel seines aktuellen hits -welcome to st. tropez- an.

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.

the sound of garuda: chapter 2 is the brand new mix album from the uks no.1 dj: gareth emery. after the hugely successful first -sound of garuda- gareth emery returns with the second part to the garuda mix compilation story. the concept behind the compilation is to produce a mix from only new exclusive material from garuda, gareths own record label. the 12 tracks on the compilation is a cross selection of electronic styles ranging from uplifting slamming house music, engaging progressive and uplifting trance tracks with many of the tracks being made specifically for the album. it includes 2 brand new gareth emery tracks, which are collaborations with emerging artists. you dont want to miss out on this pearl from one of the grand masters of dance music!

tunisia has never been a referent place in the electronic music world. it was better known for its beaches and sunny weather, hardly for its political regime but the events of 2011 brought quite some changes about that. these changes have been nurturing in the underground of the country until exploding to the face of the world, with fantastic momentums of rebellion, courage and union. shinigami sans album is a signal that emanates from the underground of tunisia: a hybrid of dubstep, techno and noise, very dark, but most importantly, very true. this is neither the sound of london or berlin, and if a couple of ingredients from here and there are recognizable in -toys-, it is most definitely the electronic sound of tunisia we bring to you here. from the dusty, 8-bit dubstep of -lofi- and -toys- to the dark techno rollers -post trauma- and -migra-, you will go by tribal beats, eerie atmospheres and heavily distorted sound textures. shinigami san draws a panorama that shows both impressive skills and style. -toys- is not only about excellent and true music, but also about original product design and diy manufacturing. this 450 digipack limited edition was hand-printed and crafted using silk screen printing, rulers and cutters. the graphic design is based on drawings from sabrina ben hadj ali, and each cd comes with 3 original prints on the theme of the album. today, we are up to put tunisia under the radar of electronic beat diggers, today, we bring you the first album of tunisian-born shinigami san: nothing cheesy here, just a raw, brutally honest vibe.

after two re-releases of conrad schnitzler classics, (zug & ballet statique) now m=minimal releases a completely new work from the pioneer of electronic music. conrad schnitzler is a sound explorer. for many years, he has been on expeditions, journeys through his collection of electronic synthesizers almost every day. sounds he liked has been conserved on tape and stored in his sound library. the result is a huge library of audio files, he calls them >solen<. >borngrŠber & struever< have got the chance to examine that library and started to con-struct new pieces out of the hidden gems. these are not remixes but new compositions. none of the sound combinations were thought or heard before. the 8 tracks form an album independent of any trend and therefore it becomes a real acoustic environment for everyone. the album was produced at studio.wannsee. to give the album more authenticity, the complete audio processing was done using analog equipment. they not only used many classics among the finest synthesizers and outboard equipment, but also custom built tube gear. the icing on the cake are the tubes used from the 60s, which bought christian borngrŠber on a trip through the atacama desert in a small radio repair business in the city of calama. thanks to the desert climate even the packaging of the tubes looked as new

the excitement that percolates inside us when days start to get longer, the weather gets warmer, knowing summers just around the corner, has always had an instant gratification effect. hailing from the beautiful island of mallorca is dj / producer kiko navarro, a mainstay in the dance world on the party island of ibiza, had a residency at the world-famous club pacha, has done numerous productions for nite grooves / king street. he now comes back on board remixing, re-working, and re-editing some of the best well known, brand new tunes in the catalog, giving this comp a beautiful balaeric flow.

travis stewart is a producer whos always been admired by the electronic cognosenti, both as a solo producer in his project machinedrum and also as one half of sepalcure on hotflush recordings. after a break from producing he started to resurface in a major way last year with the -many faces e.p.- on glasgows luckyme label. however, for -room(s)-, his latest album on planet mu, he s well ahead of the curve, approaching the album in a way he s never worked before.the tracks on room(s) were started on the spur of the moment, often whilst traveling and finished in the studio, with the notion in mind that great moments of inspiration are fleeting so its best to grab on to that moment when it happens and squeeze it for all its worth. travis says of this process, -i feel like the energy of a song is lost the longer you spend working on it. this experiment in becoming less attached to my work essentially lead to a lot of songs that are connected sonically and aesthetically.-

goldie nutzt die einmalige chance und gestaltet seine >fabric live 58< als verkšrperung des metalheadz-mantras: stets auf der suche nach neuen wegen und formeln, um drum & bass auf eine intelligente, tief-spirituelle und ursprŸngliche ebene zu hieven, befreit von schnšrkeln, immer konzentriert auf die natŸrliche substanz dieses sounds. anhand vieler tracks seines vorzeigelabels metalheadz sowie von seelenverwandten kŸnstlern befreundeter, progressiver labels kreiert goldie hier ein mixset mit schŠrfe und vision, das der zeit standhŠlt. einfach, grundlegend, unkaputtbar. ein zeitloses statement eines rastlosen visionŠrs fŸr die ewigkeit!

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

our obsession with the machine lies at the heart of all electronic music. but what sets the best electronic producers apart is their ability to harness technology to create sounds that are as emotional as they are innovative - something that shines through andrew bayers debut lp >its artificial<. touching on everything from flying lotus-esque glitch-hop and leftfield electronica to swirling melodic techno and warped electro, >its artificial< is the sound of a maverick musician using his machines to their fullest

freaky experimental dubstep / bass music

sine music released the second album by merge of equals entitled submerge. the album will be available on cd and at all well known download stores. as the title suggests: listeners of submerge dive deep down into the sound-world of flavio maspoli. this versatile, multifaceted artist and producer from zuerich caused a sensation in the european music scene with his debut creation intoxication and now, with his new album, puts the listener, already with the first track, into a kind of rapture of the deep. the world is one could well be the credo of this new album submerge. with titles like tvija lijubov, biya, opium or atesh mystic and exotic tones taken from a wide variety of cultures fuse with modern beats and futuristic electronic sounds to enter a new symbiosis. the captivating vocals in varying languages of the guest vocalists gina estrada, sitta foehr, jelena schweizer, katt tait and kotomi bisang-mori guarantee a very special multi-cultural deep-sea dive while discretely enhancing the established chillout and lounge paths. even the classic bar chillout lover will be rewarded with tracks such as kleine wolke or heart & mind. the artist describes this new slot he has created as >magic chill•< offering a balance separate from prevalent trends.

the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business É it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solŽ, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

with this, his debut full-length album entitled when the clouds ran away the man behind the music si tew has seamlessly tied together the many elements of musicality he loves, and from this has delivered a polished masterpiece of modern day electronic soul. featuring a talented crew of collaborators, the album swings from glitchy swung break beats via heart felt soul to organic cinematic compositions, and although this may seem like an impossible task si tew has produced this genre hopping expedition perfectly. the wonderful vocals on this album are performed by a handful of the uks best including leamington spas siren shanade, who opens the album with the divine >silhouette< gliding effortlessly along and introducing the oncoming album traffic

expect the unexpected, they say, and it should come as a surprise to many as we warmly welcome to the kompakt family one of americas most celebrated producers in dance music, john tejada! born in austria, he relocated to his current home of los angeles at the age of 8 and, following a brief career in hip-hop, found his home in electronic music. if you are even the slightest fan of the genre, you will be hard-pressed not to have heard his music over his decade+-long career. >parabolas< is a true highlight in john tejadas deep catalogue. bold words indeed for a producer who is known for unexpected variation and tremendous musical imagination

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

mark stewart first made his presence felt as the front man for the pop group in the late 1970s. they were pioneers of the post punk dance sound and had success with singles such as >she is beyond good and evil<, and >we are all prostitutes<. when the band split in 1980, mark joined the emerging on u sound crew as a part time member of the new age steppers. he then went on to form his own band with keith leblanc and doug wimbish, the rhythm section of the sugar hill gang, and guitarist skip mcdonald. with adrian sherwood and his production magic at the controls, the maffia unleashed an awesome mix of styles that sounded like bootsy collins jamming over a bootleg jah shaka tape in an urban warzone. this incredible mix of funk, dub and electronic overload pre empted techno and drum & bass by years. mark stewart, often copied, never bettered. the film retraces the singers steps and paths from the early days of the pop group right up to the present. schifer, who followed mark around for a full 3 years, has crafted a detailed, often intimate portrait of the artist, supplemented by interviews with a. o. mark stewart himself, adrian sherwood (on.u sound), daniel miller (mute records), nick cave, mick harvey, doug wimbish, skip mcdonald, keith leblanc, douglas hart (the jesus & mary chain), fritz catlin (23 skidoo), mike watt (minutemen, the stooges), gareth sager (the pop group, rip rig and panic), dan catsis (the pop group), john waddington (the pop group) janine rainforth (maximum joy), massive attack, keith levine (p.i.l.) and many others, plus never seen live recordings and music clips

moguai returns firing on all cylinders, in what is set to be the most ground breaking and innovative release of the year. fresh from a us tour and the release of several high profile singles, moguai & mau5trap are turning the world of the mix compilation on its head Ð and hand the power directly back to you with an innovation thatÕs set to rock the electronic music world to its very core!! disc 1 features the mixed cd, whilst disc 2 features exclusive availability of german house sensation moguaiÕs ableton software files, fresh from his 75 minute live dj mix recently performed at ÔbetaÕ released on mau5trap. the disc includes the full mix, all tracks (exclusive single tracks and special edits performed during his live set) and loops and parts, mastered exactly as used during his performance. these prize assets are available for people to create their own remixes using the elements of moguaiÕs original performance using ableton live, or import the music into the audio software of their choice. for all budding producers, remixers and technology geeks, this debut compilation takes the tools and places them firmly in your hands

nice price deal !!! four years since osunlade has graced us with an original full length house album. his next release and self-proclaimed last house release is nearing the gate. pyrography is an evolution incorporating the signature yoruba soul sound, bridging organic and electronic. braced with more vocal songs than any of osunlades previous house offerings, he has created an innovative endeavour. tracks including idiocyncracy, the infectious envision, and the yoruba chant of ser al santisimo showcase the wonderful palette of the musical diversity encompassed here. in addition to the album itself, osunlade has teamed up with the amazing talent of pyrography artist scott marr to create an original art experience harking back to the days when these two art forms were one and showcasing the synergy between them. the result is a very special selection of >fire paintings< created for each track making up the artwork for pyrography.

mystery, magic and luck perfectly define this new opus. lucky number ? indeed, 13 can bring luck and happiness! 13 is believed to bring bad luck in the west and good luck in asia. this is why, 13 is written in chinese... out of superstition! the sounds are imbued with this mysterious and magic atmosphere. escape blends with mystery, adding a mystic and thrilling feel and giving intensity throughout the tracks george v records has gone back to basics with this new release that will please all buddha-bar lovers. mystic quest , the first cd, is an invitation to escape and travel with tracks from jojo effect, mystic diversion, ganga or florzinho. secret bliss , the second cd, is more mysterious and up-tempo. it takes us to an electronic music world where trendy bass sounds combine with traditional instruments offering a moving and eloquent symphony. we can mention dr kucho, volkan uca, mhd or parov stelar for instance. a compilation that will live up to the reputation of the buddha-bar music collection.

finally dessous key-artist vincenzo is back in the spotlight with his third full length album. some 9 years after âwelcome to zanarkandÕ, his last long-player, the berlin based producer has been making magic in the studio, crafting what is sure to be his greatest work yet.âwherever i lay my headÕ is a glorious journey through 14 tracks of rich, spiritual and stunningly crafted electronic sounds. vincenzoÕs cristal clear production and years of writing experience have culminated in this heroic new work.

tom thiels self titled debut album out now!!! wide melody lines, soft, complex beats or direct, simple beats: the tracks speak a timeless language and thus represent the most modern side of electronic music. a musical director and his audio cinema, way beyond hollywood or worse - new german cinema.